• Works
DYE WORKS FILM

post-conquest ~ plural

  • Works

Reading

“I do not know what will be left of me fifty years from now. I suspect that all films will have aged terribly and that the cinema probably won’t even exist anymore. My guess is that the final disappearance of cinemas will take place around the year 2020, so in fifty years time there will be nothing but television. Well, I would be happy to get one line the “Great Universal Encyclopedia of the Cinema,“ and I think that’s the sort of ambition every filmmaker must have. This is a business in which you have to be not arriviste, certainly not that, nor yet ambitious, which I’m not, but you have to have ambition in what you do, which isn’t at all the same thing. I’m not ambitious. I don’t want to be something. I have always been what I am, I haven’t become anything; but I’ve always had, and I shall always try to retain, this feeling that ambition in one’s work is an absolutely healthy, justifiable thing. You can’t make films just for the sake of making films. If fate wills that I should make more films, I’ll try to remain faithful to this ideal of being ambitious when I start a film; not being ambitious between films, but being ambitious when I start work, telling myself, “People have to enjoy this.” That’s my ambition: to fill cinemas.”

—Jean-Pierre Melville

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“What is the essence of life? To serve others and to do good.” —Aristotle

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“If you do not understand White supremacy – what it is, and how it works, everything else that you understand will only confuse you.”

—Dr. Neely Fuller Jr.

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"Stop expecting important, meaningful things to feel comfortable and pleasant. Consider the possibility that mild discomfort is the price of doing things you care about."

—Oliver Burkeman
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“I have lived through a revolution, a great and ongoing revolution. When the world turns over, you can’t go on thinking upside down. What was innocence is now irresponsibility. Visions must be re-visioned.”

—Ursula K. Le Guin
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"We've destroyed our planet not with cars or planes, but with the stories we tell about our time."

—Donna Haraway
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"I was learning from these mortal-farcical events about the eternal presence in human affairs of accident and contingency, as well as the fatuity of optimism at any time or place. All planning was not just likely to recoil ironically; it was almost certain to do so. Human beings were clearly not like machines. They were mysterious congeries of twisted will and error, misapprehension and misrepresentation, and the expected could not be expected of them."

—Paul Fussell
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"Sometimes when I was physically at my best I could sense moments of utter ecstasy, those rare fleeting times when you are in total harmony with yourself and the elements around you: nature, the noise of the wind, the smells.
"Let's not get carried away. But I have to confess: I was happy."

—Laurent Patrick Fignon
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“The bicycle is the most civilized conveyance known to man. Other forms of transport grow daily more nightmarish. Only the bicycle remains pure in heart.”

—Iris Murdoch

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My ambition is to create—and to help people create—content that people will enjoy. Content that helps us more equitably structure our society, and be more aware of our interdependencies, situations and histories.

My parents, for much of my youth, were teachers, and I grew up ‘mostly white’ and nearly unconscious of my race privilege and class oppression, in many places: south-central New Mexico, northern then eastern California, the brilliant Sonoran Desert. My mother’s Oklahoma-born father believed we were part (American) Indian. He had memories and a few old photos to back up this belief—but my mother’s recent DNA test connected us with the people of sub-Saharan Africa instead.

¿quién sabe?

Growing up, my mother sometimes told me, that because I’d been born a WASP male, that I “had nothing to complain about.” Only recently did I ask her where that perspective came from. “From being an officer’s wife in the Army,” she said. “From socializing, as the wife of a lieutenant, with the Black wives of Black officers.”

She also told me she’d later quit a job at a fitness center, after the (white) manager told her to throw away any Black person’s application. Later, in a department store, in response to a sign stating that only the (white) manager could operate the cash register, she’d told him: “I will only give my money to the (Black) clerk who helped me—not you.”

And so my mother nudges the world.

In Arizona, on an otherwise all Indian high-school running team, I was uneasy, in obviously occupied territory, seized by the U. S. military, mined and ever-more ‘developed’—a sunny, blatantly inequitable outpost of a tacit empire, with warplanes ‘training’ overhead and bombing ranges and intercontinental nuclear missile silos in most directions—beyond innumerable barbed-wire fences. Crop-dusters rained poisons down on patches of what had once been (and would be again) desert, plowed with machines unsustainably fueled, flooded with ancient water pumped from ever deeper wells. Elsewhere, in places utilized by people for more than twelve millennia, ‘wildernesses’ had been declared, to be spared this overt abuse… to exonerate us: we, the ‘settlers.’

Only recently, after living a decade of my life overseas, in Australia, Central America, Europe, East Asia, and North Africa, have I begun to understand how I/we was/am were/are socialized to collude with colonialism/racism; have I begun to explore my multiple locations (whatever that means); how they function together to hold short-sighted, destructive convictions in place, and more often—hopefully—to help dissolve them. I create media and teach media-making for a reason: I want to spend my energy and time here helping make ‘our’ socially-constructed world better.

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Click here to download a PDF of: The written half of my MFA thesis

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And… some books and a few other readings I appreciate / recommend:

UNCOMMON GROUND

PEDAGOGY OF THE OPPRESSED

THE NATURAL ALIEN: HUMANKIND AND THE ENVIRONMENT

LITERARY THEORY: A GUIDE FOR THE PERPLEXED

LEGACY OF CONQUEST

COMING UP SHORT

THE COFFEEBREAK SCREENWRITER

DOCUMENTARY STORYTELLING: CREATIVE NONFICTION ON SCREEN

ON FILMMAKING

INTO THE WOODS

SAPIENS

SEXUAL CITIZENS

DIRECTING THE DOCUMENTARY

STORY

DRAWING WORDS & WRITING PICTURES

LIES MY TEACHER TOLD ME - the graphic novel

AMERICAN COLONIES

DESERT SOLITAIRE (Abbey would probably agree that he’s problematic. But few have written of the American Southwest in the 1960s (when and where I was born), as beautifully he did, in this book.) (Also, he was a teacher of mine, at the University of Arizona, Spring semester 1988.)

HOW IT IS

and anything and everything by Ursula K. LeGuin (such as 5 WAYS TO FORGIVENESS, or her carrier bag theory)

or N.K. Jemisin (especially The Broken Earth trilogy)

SOME DESPERATE GLORY… and, well, since we’re here, we might as well go ALL the way: GRIDDLE!

And…

Let’s get real: https://www.youtube.com/watch?v=UlSfJ6ZBbI8&list=RDUlSfJ6ZBbI8&start_radio=1

Waking from the Meme Dream

https://www.indigenousmindfulness.com/about

https://www.conspireforchange.org/resources/saviorism/

https://wisdomoftrauma.com/

n+1

High Country News

https://native-land.ca/

Liz Carlisle’s THE LENTIL UNDERGROUND

Counterpunch (Towards Decolonization and Settler Responsibility)

Unsettling America

Ecoequity

Michael Wesch on the Future of Storytelling

https://nathanielianmiller.com/the-book

An interview with the poet Corrie Williamson…

The Mundane Afrofuturist Manifesto

Walter's World: Film Criticism (sniff… no more!)

MaryAnn Johanson's Flickfilosopher

https://www.whatwentwrongpod.com/

https://vimeo.com/slowmedia

The International Alliance of Youth Writing Centers

Independent Lens

POV Magazine

Kanopy

Brain Pickings

Why’s This So Good? No. 61 John McPhee and the archdruid

League of American Cyclists

Mindful

RE Cameron's AVATAR

Darrell Kipp on Nitsitaapii Art

The Piegan Institute

Renne Wanner's Poster Page

Weed 'Em & Reap

Warre hive beekeeping info & supplies

World Without Ice & The Terrifying Warning Lurking in the Earth’s Ancient Rock Record

David Fisher's bowl carving site

Roger Musson's Wheelbuilding book

Etc…

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Towards the Common Good

I reckon it’s not political to acknowledge that I live and work in a region that was once home to the Tutelo and Monacan people. That’s just ‘setting the stage.’

Check out Native at VT for more info. 

It’s also just knowledgeable, not political, to note that U. S. military campaigns and legislation (such the Morrill Act of 1862) enabled the Commonwealth of Virginia to finance and found universities like Virginia Tech through the forced removal of American Indians from their homelands and the sale of those lands. Here’s more info about that: https://www.hcn.org/issues/52.4/indigenous-affairs-education-land-grab-universities.

We should also be aware that Black people were prohibited from attending Virginia Tech until 1953–even though enslaved labor – for 246 years! – from 1619 to 1865, greatly enriched the Commonwealth of Virginia.


War and slavery are historical facts, but our efforts today and into the future can help offset these wrongs and help foster and advance a better society overall. I hope you’ll join me in making an honest commitment to: Work for the Common Good.

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Into the Woods.jpg
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Lies.jpg
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